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& Sans®

& Sans is a geometric sans serif typeface family of over 270 individual glyphs and 8 cuts.

Created by Rogue Type Foundry in New Zealand, it is intentionally designed to be multi-use – perfect for both display and body text, as a portfolio or design studio typeface.

Its geometric makeup means it is graphic and characterful, while sharp reoccurring angles – echoed through letterforms – result in an overall visual cohesion.

It is organised and clean, with a distinctly simple structure. Varying letterform widths make for playful reading and pace.

By synchronising strict geometry and aesthetic alterations, we struck the fine balance between technical and visual perfection.

The result is a typeface that is simultaneously expressive and unassuming, flexible and structured, raw and refined.

It blurs form and function. It is balanced, full-bodied and open. It is characterful, quirky and chameleonic. It can shout and shush, enrich and simplify, smile and wink or say it straight faced. It is more and less.

It is & Sans.

&

/and/

Addition, connection, evolution.

& Sans is the joiner of two things – of two worlds. A typeface that has the ability to exemplify the idea of ‘more’. More character, more voice, more volume.

Sans

/without/

Absence, purity, refinement.

& Sans embodies the ideas of minimalism and simplification. It has the ability to turn down the noise, blend into the background, read easy and work hard.

& Black on White & White on Black & Red on White & White on Red & Black on Red & Red on Black

Often referred to as the International Typographic Style or the International Style, the style of design that originated in Switzerland in the 1940s and 50s was the basis of much of the development of graphic design during the mid 20th century. Led by designers Josef Müller-Brockmann at the Zurich School of Arts and Krafts and Armin Hofmann at the Basel School of Design, the style favored simplicity, legibility and objectivity.

Often referred to as the International Typographic Style or the International Style, the style of design that originated in Switzerland in the 1940s and 50s was the basis of much of the development of graphic design during the mid 20th century. Led by designers Josef Müller-Brockmann at the Zurich School of Arts and Krafts and Armin Hofmann at the Basel School of Design, the style favored simplicity, legibility and objectivity.

Often referred to as the International Typographic Style or the International Style, the style of design that originated in Switzerland in the 1940s and 50s was the basis of much of the development of graphic design during the mid 20th century. Led by designers Josef Müller-Brockmann at the Zurich School of Arts and Krafts and Armin Hofmann at the Basel School of Design, the style favored simplicity, legibility and objectivity.

Often referred to as the International Typographic Style or the International Style, the style of design that originated in Switzerland in the 1940s and 50s was the basis of much of the development of graphic design during the mid 20th century. Led by designers Josef Müller-Brockmann at the Zurich School of Arts and Krafts and Armin Hofmann at the Basel School of Design, the style favored simplicity, legibility and objectivity.